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The Niche
OTTAWA GALLERY
THE
THE NICHE OTTAWA GALLERY
CIRCULATING VIRTUAL EXHIBITION
FALL 2020
Fiercely Whimsical Beginnings
Orianna Yepes, Red Dragon Leaf
January 2018
Acrylic on canvas, 77 x 60 cm
Acrylic on canvas, 77 x 60 cm
Marina Nekrasova, Sinking Into Abstraction 0.2
pencil, marker, inkpen, paint, $40
Rémie Ostrosser-Strong, Yello
September 2019, watercolour
Aisha Momoh, The Beatles
SOLD!
Sonia Xu, Bird Fan Series
Ink on silk, $30
Eleanor Stewart, Twins
February 2020, Paint markers, 3.5cm x 2.4cm
Inspired by bright, bold colours and odd combinations of subject matter, I strive to include an out-of-the-ordinary element in my work. People, animals, and houses are often depicted in my distinct, long-limbed style. Hands are a motif in my pieces. I work with hands because they bring me joy and, by adding them to my artwork so often, I have developed an easy way for me to draw them where they bring a lot of movement and looseness to my pieces. Using watercolour and paint markers, I work with bright, solid colours to add a cheerful feeling to my creepy creations. I create people with animals or objects for heads, extra limbs, eyes, or hands, and very long legs. I make art to evoke emotions within myself and others, aiming to create joy, discomfort, and interest with my pieces.
Inspired by bright, bold colours and odd combinations of subject matter, I strive to include an out-of-the-ordinary element in my work. People, animals, and houses are often depicted in my distinct, long-limbed style. Hands are a motif in my pieces. I work with hands because they bring me joy and, by adding them to my artwork so often, I have developed an easy way for me to draw them where they bring a lot of movement and looseness to my pieces. Using watercolour and paint markers, I work with bright, solid colours to add a cheerful feeling to my creepy creations. I create people with animals or objects for heads, extra limbs, eyes, or hands, and very long legs. I make art to evoke emotions within myself and others, aiming to create joy, discomfort, and interest with my pieces.
Jenna Brown, Moth Print I and II
Ink on paper S $15 L $20
Amy Unhola, Pointe
January 2019, digital camera
$50
$50
Rémie Ostrosser-Strong, Untitled
SOLD!
Eleanor Stewart, Untitled
June 2020, Paint markers, ink, 19cm x 19cm
Inspired by bright, bold colours and odd combinations of subject matter, I strive to include an out-of-the-ordinary element in my work. People, animals, and houses are often depicted in my distinct, long-limbed style. Hands are a motif in my pieces. I work with hands because they bring me joy and, by adding them to my artwork so often, I have developed an easy way for me to draw them where they bring a lot of movement and looseness to my pieces. Using watercolour and paint markers, I work with bright, solid colours to add a cheerful feeling to my creepy creations. I create people with animals or objects for heads, extra limbs, eyes, or hands, and very long legs. I make art to evoke emotions within myself and others, aiming to create joy, discomfort, and interest with my pieces.
Inspired by bright, bold colours and odd combinations of subject matter, I strive to include an out-of-the-ordinary element in my work. People, animals, and houses are often depicted in my distinct, long-limbed style. Hands are a motif in my pieces. I work with hands because they bring me joy and, by adding them to my artwork so often, I have developed an easy way for me to draw them where they bring a lot of movement and looseness to my pieces. Using watercolour and paint markers, I work with bright, solid colours to add a cheerful feeling to my creepy creations. I create people with animals or objects for heads, extra limbs, eyes, or hands, and very long legs. I make art to evoke emotions within myself and others, aiming to create joy, discomfort, and interest with my pieces.
Marina Nekrasova, Mechanical Beauty
Metal gears, acrylic paint, graphite, paper on canvas
60$
60$
Orianna Yepes, Self Portait
Gouache, 17.8 x 25.4 cm
Rémie Ostrosser-Strong, All In Your Head
November 2019, watercolour
Amy Unhola, Path to Success Part 1
January 2019, digital camera
$50
$50
Eleanor Stewart, Cereal
July 2020, Paint markers, ink, 19cm x 26.5cm
Inspired by bright, bold colours and odd combinations of subject matter, I strive to include an out-of-the-ordinary element in my work. People, animals, and houses are often depicted in my distinct, long-limbed style. Hands are a motif in my pieces. I work with hands because they bring me joy and, by adding them to my artwork so often, I have developed an easy way for me to draw them where they bring a lot of movement and looseness to my pieces. Using watercolour and paint markers, I work with bright, solid colours to add a cheerful feeling to my creepy creations. I create people with animals or objects for heads, extra limbs, eyes, or hands, and very long legs. I make art to evoke emotions within myself and others, aiming to create joy, discomfort, and interest with my pieces.
Inspired by bright, bold colours and odd combinations of subject matter, I strive to include an out-of-the-ordinary element in my work. People, animals, and houses are often depicted in my distinct, long-limbed style. Hands are a motif in my pieces. I work with hands because they bring me joy and, by adding them to my artwork so often, I have developed an easy way for me to draw them where they bring a lot of movement and looseness to my pieces. Using watercolour and paint markers, I work with bright, solid colours to add a cheerful feeling to my creepy creations. I create people with animals or objects for heads, extra limbs, eyes, or hands, and very long legs. I make art to evoke emotions within myself and others, aiming to create joy, discomfort, and interest with my pieces.
Morgan Hamilton-Kirk, Visual Sound Series: 1
May 2019, digital camera
I wanted to explore the motions of hands on the piano that people do not see as a wave or interconnected whole, but detached notes. After much experimenting I realised the higher aperture was perfect for my composition idea of the piano as it would make the light seem as though it came from nowhere. I worked alongside my mother who played. The first image was of a mash up of many lively songs that purposely had a lot of jumps, chords, and octave changes as I wanted to capture as much movement as possible. A chromatic scale was captured with all the lights. This piece was beautifully reflected by the piano's fall board. The piece of chords made an interesting loopy effect.
I wanted to explore the motions of hands on the piano that people do not see as a wave or interconnected whole, but detached notes. After much experimenting I realised the higher aperture was perfect for my composition idea of the piano as it would make the light seem as though it came from nowhere. I worked alongside my mother who played. The first image was of a mash up of many lively songs that purposely had a lot of jumps, chords, and octave changes as I wanted to capture as much movement as possible. A chromatic scale was captured with all the lights. This piece was beautifully reflected by the piano's fall board. The piece of chords made an interesting loopy effect.
Sonia Xu, Bird Fan Series
SOLD!
Eleanor Stewart, Untitled
January 2020, Paint markers, watercolour, ink
3.3cm x 4.3cm
Inspired by bright, bold colours and odd combinations of subject matter, I strive to include an out-of-the-ordinary element in my work. People, animals, and houses are often depicted in my distinct, long-limbed style. Hands are a motif in my pieces. I work with hands because they bring me joy and, by adding them to my artwork so often, I have developed an easy way for me to draw them where they bring a lot of movement and looseness to my pieces. Using watercolour and paint markers, I work with bright, solid colours to add a cheerful feeling to my creepy creations. I create people with animals or objects for heads, extra limbs, eyes, or hands, and very long legs. I make art to evoke emotions within myself and others, aiming to create joy, discomfort, and interest with my pieces.
3.3cm x 4.3cm
Inspired by bright, bold colours and odd combinations of subject matter, I strive to include an out-of-the-ordinary element in my work. People, animals, and houses are often depicted in my distinct, long-limbed style. Hands are a motif in my pieces. I work with hands because they bring me joy and, by adding them to my artwork so often, I have developed an easy way for me to draw them where they bring a lot of movement and looseness to my pieces. Using watercolour and paint markers, I work with bright, solid colours to add a cheerful feeling to my creepy creations. I create people with animals or objects for heads, extra limbs, eyes, or hands, and very long legs. I make art to evoke emotions within myself and others, aiming to create joy, discomfort, and interest with my pieces.
Rémie Ostrosser-Strong, Breeze
July 2019, watercolour
Orianna Yepes, Dante Smiles at You
Gouache, 17.8 x 25.4 cm
Rémie Ostrosser-Strong, Peabrain
November 2019, watercolour
Sonia Xu, Bird Fan Series
Ink on Silk, $30
Eleanor Stewart, Boredom
August 2019, Paint markers, watercolour, 3.3cm x 4.3cm
Inspired by bright, bold colours and odd combinations of subject matter, I strive to include an out-of-the-ordinary element in my work. People, animals, and houses are often depicted in my distinct, long-limbed style. Hands are a motif in my pieces. I work with hands because they bring me joy and, by adding them to my artwork so often, I have developed an easy way for me to draw them where they bring a lot of movement and looseness to my pieces. Using watercolour and paint markers, I work with bright, solid colours to add a cheerful feeling to my creepy creations. I create people with animals or objects for heads, extra limbs, eyes, or hands, and very long legs. I make art to evoke emotions within myself and others, aiming to create joy, discomfort, and interest with my pieces.
Inspired by bright, bold colours and odd combinations of subject matter, I strive to include an out-of-the-ordinary element in my work. People, animals, and houses are often depicted in my distinct, long-limbed style. Hands are a motif in my pieces. I work with hands because they bring me joy and, by adding them to my artwork so often, I have developed an easy way for me to draw them where they bring a lot of movement and looseness to my pieces. Using watercolour and paint markers, I work with bright, solid colours to add a cheerful feeling to my creepy creations. I create people with animals or objects for heads, extra limbs, eyes, or hands, and very long legs. I make art to evoke emotions within myself and others, aiming to create joy, discomfort, and interest with my pieces.
Rémie Ostrosser-Strong, Boiling Point
December 2019, watercolour
Rémie Ostrosser-Strong, Evapore
pencil, $15
MORE ARTWORK COMING SOON
The Niche Gallery is always updating with your local Ottawa Artists!
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